Is HBO's Horse-Racing Series Luck a Big Gamble?

Dustin Hoffman Pick Six. Furlong. Backstretch. Quinella. Trifecta. Daily Double. These are just a few of the racetrack terms that may be thrown around in HBO's new horse-racing series Luck, which premieres Sunday at 9/8c. From executive producers David Milch and Michael Mann, the gritty show looks at the owners, jockeys and the degenerate gamblers in the horse-racing world. While the lingo, the setting and the overall story line may feel alien to those who don't frequent one of the more than 100 racetracks around the United States, Milch, the man behind Deadwood and NYPD Blue, says that shouldn't deter viewers from watching. "It's an act of faith," says Milch of creating a series on such a foreign topic. "Your fundamental responsibility is to stay true to the deepest nature and intention of the materials and that's what we did." Check out photos of Luck "I think [viewers] can relate to the story the way they relate to any other well-told, dramatic, emotional story," adds Mann. "That's the whole point. If they have a sense of the important things, they'll let the lingo go by, trusting they'll pick it up later." At its basic level, the premise is simple. Chester "Ace" Bernstein (Dustin Hoffman) has just returned from a stint in prison taking the rap for other unsavory types. Now unable to hold an owner's license due to his criminal record, Ace enlists his driver Gus Demitriou (Dennis Farina) to act as the owner of a fleet-footed horse, now trained by Turo Escalante (John Ortiz). Another trainer, played by Nick Nolte, is also looking to make a splash with a horse sired by one of the greats (think of it as Seabiscuit's baby). "Although the racetrack is the beating heart, I'd say the show is more of a study of the characters," Milch insists, adding that even the degenerate gamblers, who live race-to-race by handicapping the winners, will be relatable to viewers. A horse owner himself, Milch would even classify himself as one of them. "My dad took me to the track when I was five years old and identified me as a degenerate gambler then, which is a little hard for a 5-year-old to understand," he says with a laugh. "I've been busy figuring out what that meant for the past 60 years." HBO tries its Luck with David Milch drama starring Dustin Hoffman Worrying about the audience's ability to understand and relate to the series is only one hoop to jump through for Luck. There's also the high expectations from the people whose real lives color this story. "There are certain parochial responses," Milch says of the racetrackers. "It's like the way people are protective of family, and you don't tell any secrets outside the family. It becomes our responsibility to be truthful in our portrayal. If someone is going to get upset, that becomes their business." Not unlike his other series, Milch hopes that audiences will find a passionate connection with Luck through "its ups and its downs, and its tragedies and its successes." And he hopes they make it soon. By nature of the horse-racing circuit and when they'd have to start filming again, the producers are already hard at work on what a second season would look like, though HBO has yet to pick up the series. "I would hope to find out over the next week or two," he says. Will you be tuning in to Luck? Luck premieres Sunday at 9/8c on HBO. HBO Go users can watch the second outing immediately following the premiere.

'The Grey' Survival Guide: Do's And Do nots In Backwoods Movies

Which makes it with an plane crash is not any easy task. Outrunning mythical baby baby wolves could be even more complicated, rather than everyone are capable of doing it with as much ease as Liam Neeson in "The Grey." The survival thriller hits theaters today, and just before going off trying to rough it inside the arctic yourself, do your kindness by reading through through our do's and don't's that causes it to be through this type of ordeal. Here's our report on "The Grey" survival tips: DON'T Become A Jerk Let's take that certain in the table immediately. Once the audience isn't likely to become rooting to suit your needs, they will probably cheer round the baby baby wolves once they acquire you. If the involves an unlikeable character, really the only factor more bloodthirsty in comparison to supernatural baby baby wolves chasing after once you might be the crowd eagerly anticipating your demise. Be kind frequently and early, and you'll no less than survive prior to the second act. May Have A Distinctive Number Of Capabilities In "The Grey," Liam Neeson's character Ottway finds behave as a sniper for your oil company. His job literally entails browsing the cold for just about any wolf later on a-hunting and shooting it from afar. Clearly, he'll survive a lengthy. Part of which causes it to be using a plane crash movie involves obtaining a talent, skill or feature making you indispensable for the survival in the group. Your abilities won't guarantee a free of charge pass within the baby baby wolves, but you'll live a lot more than the guy who not learn how to knife fight. Don't Have A Real Impairment Oh, you will need corrective contacts to find out? That'll be considered an issue. Survival requires you to definitely certainly depend on nothing without any one but yourself. Your glasses will break. You'll lose your inhaler. Your anti-psychotic meds gets lost. You need to be free all dependency if you want to ensure it is out alive because you'll inevitably lose everything when you're running from baby baby wolves. DO Try In Order To Save People That are Heading Lower This ties to the first point about generally like a good person, there's however one more element here. Progressively alter help all your buddies which are likely to eat it, or possibly in cases like this, get eaten, however, you shouldn't try too much. Once they die, you've just bought yourself about a quarter-hour of screen spare time from wolf attack. Someone's prone to come down. If you're intent on which makes it through, ensure it is not you. You Should not Be Less Famous Than Liam Neeson The best and several important survival tip is regarded as the difficult anyone to master. Uncover Liam Neeson, chances are that you're less famous than Liam Neeson. This is not good to get a lean body. If you fail to be no less than as famous as Neeson, carefully connect yourself with him. Make small talk and tight. Here's your best option that causes it to be for the finale. You'll most likely still die, though, because you aren't Liam Neeson. Are you currently presently searching toward seeing "The Grey"? Inform us inside the comments below and also on Twitter!

Newcomer 'dance

New marketers joining the fest fray goal to take advantage of different platforms for his or her large buys:Adopt FilmsSundance's comeback kid is October Films co-founder Shaun Lipsky, whose startup company partners him with Tim Grady, Karen Sternal and several Minnesota backers. After obtaining three niche photos around Toronto ("The Ballad of Genesis and Lady Jaye" due in March, "Mighty Fine" in May and "Nuit #1" in This summer), Adopt Films is searching for an overdue-year theatrical release, plus 6-8 U.S. indie, foreign and doc releases for 2013. "The niche we want to effectively occupy is alongside Kerbside Points of interest," Lipsky states. * * * Position FilmsPaul Brooks (Gold Circle Films) and Jason Blum (Blumhouse Prods.) have released a pickup/production outfit boasting distribution through Universal. After announcing the venture at AFM, senior Vice president of production and purchases Guy Danella is searching to Sundance for Angle's first buy, ideally either high-finish genre material (action, thriller, horror and sci-fi) or perhaps a unique comedy project they are able to expand beyond core census. * * * Large Air StudiosSet to announce their slate within the coming days, the entire-service studio hopes to get some game titles because of its nine-film release slate in 2012, ramping as much as 18 films the coming year. Large Air "endeavors to create its films on all screens from theatrical to DVD to Computers to cell phones to pills and beyond," states a repetition, explaining the business's means of delivering photos on all possible platforms. A vet industry team, including Boss Michael Arrieta, chief content officer Robert Baruc, leader Marc Sternberg and professional Vice president of content Michael Stradford, will attend. * * * Drafthouse FilmsAlamo Drafthouse founder Tim League, together with the distrib's COO James Shapiro (formerly of Anchor Bay) and inventive director Evan Husney, is going to be looking for "wise genre" fare, seeking six additional features to enhance six repetition game titles every year (the 2012 slate boasts "The FP" in March, "Klown" in May and "Bullhead" this spring). "The growing Alamo Drafthouse theater chain will give you the backbone in our rollouts," League states, "and Badass Digest and Fantastic Fest will help on our film and event promotions." * * * LD DistributionAfter years joining with labels like Kerbside on purchases, producer-financier Mickey Liddell's LD Entertainment has released a complete-service outfit headed by Vital Classics alum and self-distribution guru David Dinerstein. "We anticipate delivering a maximum of 4 to 6 films within our newbie, that will change from specialized to wide release," Dinerstein states -- this additionally to creating 4 to 6 movies for approximately $25 million each. (LD already has three photos -- "Killer Joe," "The GatheringInch and "Disconnect" -- within the pipeline.) * * * OWN Documentary Film ClubAfter starting the venture at Sundance this past year, The famous host oprah Winfrey's for-TV nonfiction pic project is going to be back, this time around looking for game titles. "We're searching to get six (paperwork) with this year," states OWN senior Vice president of arranging and purchases Scott Garner, who became a member of the network soon after it acquired 2011 Sundance title "Becoming Chaz." "We're searching for films that inspire and entertain, stimulating a different way of taking into consideration the world." * * * OthersAfter the announcement of the new Weinstein Co. label before Toronto, Magnolia veterinarians Jason Janego and Tom Quinn are stated to possess acquired a minimum of a couple of game titles, fitting an approach to deliver photos and niche entertainment "concurrently across multiple digital and traditional platforms." And more compact-scale distrib ARC Entertainment is anticipated to become scouting with prexy Wealthy Goldberg around.Sundance Film Festival 2012How to brand a fest Tyro focus makes fest no country for old males Target game titles Thrills turn more extreme as indie genre photos evolve Newcomer 'dance Filmmakers liberated to experiment in labs Contact the range newsroom at news@variety.com

Justified: 6 Explanations Why We are Pumped for Season 3

Timothy Olyphant Let us raise a glass of "apple cake" moonshine in recognition from the very much departed Justified villain Magazines Bennett. Margo Martindale's Emmy-winning portrayal would be a huge a part of what made the Southern-fried Forex drama's second season this type of thrilling ride and can without doubt be considered a tough act to follow along with. And executive producer Graham Yost knows it.Have more scoop in your favorite shows within our Winter TV preview"I'd be laying basically stated we did not take into account that,Inch Yost informs TVGuide.com. "It provides you with some pause that individuals responded so strongly into it. We are incredibly gratified with this, but it is additionally that the bar is placed pretty high."According to what we have seen to date, though, Justified (premiering Tuesday at 10/9c on Forex) appears a lot more than as much as the task. Season 3 finds Raylan (Timothy Olyphant) recuperating from the gunshot wound whilst attempting to wrap his mind around being a father together with his ex-wife Winona (Natalie Zea). Meanwhile, Raylan's friend/enemy Boyd Crowder (Walton Goggins) is busy repairing his family's criminal empire, but his mission to rule Harlan might be impeded by a few new villains: an oily Detroit mobster named Quarles (Neal McDonough) along with a menacing mystery guy named Limehouse (Mykelti Williamson). Behold, six reasons we can not wait to mind to Harlan County:1. We like when Raylan's off his game. As entertaining because it is to look at Raylan function as the gun-slinging hero, he's a far more interesting character when he's considered lower by personal issues. Impending fatherhood - and it is seeming incompatibility with as being a U.S. marshal - usually supplies lots of individuals moments this year. "She has an infant in route,Inch Yost states. "Is the fact that likely to change how he is doing his job? Should he be considered a marshal? They are all large questions for him to cope with.Inch Adds Olyphant: "It provides you with pause [about] the choices you are making and just how you are living your existence. It simply makes everything just a little much deeper, more essential.InchExamine out our listing of TV's most sexy crime martial artists!2. Raylan's only some of the one facing tough options. "Among the styles which has emerged in Season 3 may be the perception of crossing lines," Yost states. "What goes on whenever you draw lines within the sand and say, 'Beyond this I won't go,' then, sooner or later, you are doing that. I'd give consideration to particular stuff that people say in early episodes. Which includes Nick Searcy's Art ("We have seen another side to Art and i believe ... we realise why Art has tolerated Raylan because Art was Raylan in an earlier reason for his career," Yost states) in addition to Boyd and Ava (Joelle Carter)."They are saying, 'We're likely to be this kind of crime operation and never that sort. We are not likely to run whores.We are not likely to do robberies. We are likely to be crooks of influence, pressure, protection which type of factor.'"3. A word: Quarles. After writing Magazines like a lower-home lady by having an icy mean streak, Yost wanted his new villain to become the alternative. Enter McDonough's Quarles, a Detroit mobster who wears $3,000 suits along with a huge grin and longs being the "Oxycontin King of Kentucky." Oh, and that he has their own mean streak. "This person includes a lethality along with a danger that must definitely be believed with," Yost states. Like his weapon of preference, that you simply see within the season premiere, you do not always see him coming.Justified Emmy nominee Margo Martindale: "I've not reached do everything I'm able to do"4. Another word: Limehouse. While Limehouse is evenly as unforgiving as Quarles, his character, who runs a barbecue joint in Noble's Hollow, is interested in obtaining where Magazines left off. Actually, he's possessing a number of Mags' money, that is what draws Boyd (and finally Raylan) in to the all-black neighborhood. "I had been thinking about going through the African-American experience of Harlan," Yost states. "We have had some black criminals from Lexington, however they were kind of interchangeably urban. I figured, 'What's the particular story of black folks coal country?' That brought us towards the character of Limehouse. He's someone who's really quiet and devoted to the thought of safeguarding his life-style and also the good reputation for his community." We obtain the feeling you won't want to see within his slaughterhouse.5. Boyd and Ava = Bonnie and Clyde? Yost states the classic criminal couple was certainly a motivation with this season. While Boyd may be the mastermind, Ava may be the someone to watch. "What lengths is she prepared to go?" Yost asks. "Just how much does she actually want to take part in this factor?Is she only the crime wife who sits both at home and clips coupons, or perhaps is she someone who will get available and lifts the gun from time to time?Inch Search for Ava to become just like harmful having a fry pan as she's having a shotgun.Carla Gugino lands recurring r on FX's Justified6. Carla Gugino guest stars ... as Karen Sisco? Here's the setup: Gugino, who performed among Elmore Leonard's other most beloved figures inside a short-resided ABC drama, turns up in Episode 2 like a Deputy Director Karen Goodall. Oddly enough enough, her surname differs from the final time she and Raylan labored together. Would be the authors recommending the things they think we're? "I'm not sure what you are speaking about," Yost states having a laugh. Fair enough, but tend to we have seen much more of her? "We desired to have a great time because we understood that people want getting her included in the team," Yost states. "Choices need to be made in the future. Is the fact that something she'd enjoy? We are certainly exploring it."Justified premieres Tuesday at 10/9c on Forex. The Growing Season 2 DVD and Blu-ray are actually available.

Colleagues Salute Screen Actors Guild Honoree Mary Tyler Moore

Colleagues Salute Screen Actors Guild Honoree Mary Tyler Moore By Les Spindle January 12, 2012 Photo by SAG When Mary Tyler Moore turned the world on with her incandescent smile and flawless comedic timing as the co-star of CBS's "The Dick Van Dyke Show" (196166), a relative newcomer to showbiz quickly achieved widespread popularity. She sparkled in the role of Laura, the perky but occasionally weepy wife of TV comedy writer Rob Petrie (Dick Van Dyke). Moore subsequently made a quantum career leap when she starred in the trailblazing sitcom "The Mary Tyler Moore Show" (197077), the funny yet incisive portrait of a fiercely independent single career woman making her way through the urban jungle. Winning 29 Emmy Awards, the ensemble series set new standards for sophisticated television comedy. As Moore's versatility grew in a career spanning six decades, she blossomed into a highly respected and beloved performer. To honor her luminous career, the Screen Actors Guild will present Moore with its annual Life Achievement Award at the union's Jan. 29 SAG Awards ceremony in Los Angeles, airing live on TNT and TBS.'Ordinary' Becomes Extraordinary Among Moore's milestone performances are her mesmerizing Oscar-nominated turn as a desperately unhappy suburban matriarch in director Robert Redford's heart-wrenching drama "Ordinary People" (1980); her Tony-winning Broadway portrayal of a character originally played by a man in Brian Clark's "Whose Life Is It Anyway?" (1980); and her work in the raucously satirical film "Flirting With Disaster" (1996), in which Moore hilariously played against type as the abrasive and bawdy adoptive mother of a prodigal son (Ben Stiller).Many acclaimed TV films grace Moore's rsum, such as "First You Cry," "Stolen Babies," "The Gin Game," and especially the bloodcurdling "Like Mother Like Son: The Strange Story of Sante and Kenny Kines," featuring Moore as a sociopathic murderer, with Jean Stapleton as a helpless victim. Moore has also scored strongly when revisiting the skills honed during her early training in dancing and singing, as in the 1967 film musical "Thoroughly Modern Millie" and on many television variety shows and specials. Besides her achievements as a performer, the multifaceted Moore is a devoted philanthropist (for animal rights and as chairman of the Juvenile Diabetes Research Foundation) and has been a television producer (for MTM Enterprises, which she founded with her then-husband, producer Grant Tinker).Memories From the Yellow Brick Road In his 2011 memoir, "My Lucky Life In and Out of Show Business," Van Dyke explains how Moore very quickly won him over after she was cast opposite him on "The Dick Van Dyke Show." "I was concerned that Mary wasn't much of a comedienne," he wrote. "But as rehearsals progressed, her timing became perfect. The first time I stood across from her in rehearsal and heard her say, 'Oh, Rob!,' I thought, That's it, we're home." The book also includes Van Dyke's confession of his "crush" on Moore. He asks, "Who wouldn't adore Mary?"Van Dyke's sentiments are shared by many. Moore's peers and associates consider her a beacon of professionalism, talent, warmth, and class. Several of her most distinguished collaborators graciously agreed to provide Back Stage with their recollections of working with her.Ed Asner (the crusty but lovable Lou Grant on "The Mary Tyler Moore Show") says, "I spent seven long years in the trenches with Mary Tyler Moore, and I cannot think of a finer trenchmate. She's a consummate artist, the most generous, giving star of a show I have been around. She allowed us to screw up or sparkle, left it to others to either lift us up or take us down. And all that time, she was doing her part to make the scene work, to make the moment work. Nothing was ever too hard for her to attempt. Granted, of course, we worshipped her on bended knee and cuddled her terribly. She was our star. She truly was, and in the finest sense of the word. She never made things difficult; in fact, she always made things easier. She always filled in her slot to the fullest and never stole from you. She never directed you, never put you down. She respected the talent around her. I describe the seven years of 'The Mary Tyler Moore Show' as seven years on the Yellow Brick Road."Carol Channing (wacky millionaire Muzzy Van Hossmere in "Thoroughly Modern Millie") remarks, "What a joy it was to work with Bea [Lillie], Julie [Andrews], and Mary on 'Thoroughly Modern Millie.' Bea was a mentor, while Julie was the rock from whom both Mary and I eagerly took our cues. Mary was a good student. She was very professional and prepared. She possessed a desire and dedication to reach beyond the expectations of others and give the director, the cast, and the audience even more than they had hoped for. I still love that tap-dancing scene in the elevator."Valerie Harper (witty and sharp-tongued Rhoda Morgenstern on "The Mary Tyler Moore Show") speaks about Moore's supportive friendship: "When it was decided that 'Rhoda' would spin off from 'The Mary Tyler Moore Show,' I expressed my trepidation to Mary. I was afraid to leave the rapturously happy, loving environment of her show for the scary unknown. Shegenerous, supportive darling that she issaid, 'C'mon, Val, do it. You don't want to be my sidekick all your life, do you?' 'Yes!' I declared. 'Yes, I do!' And so do millions of others the world over. Lucky, lucky me!"Gavin MacLeod (kind but slyly sardonic Murray Slaughter on "The Mary Tyler Moore Show") offers the following: "In my 60 years of working in show business, Mary Tyler Moore is, without question, the most talented and beautiful boss I have ever had."Rose Marie (drolly funny Sally Rogers on "The Dick Van Dyke Show") shares this: "I was very proud to have the chance to work with Mary and to have her become a part of my life. I know how hard she worked to get into the position she is in today in our business and to be honored by the Screen Actors Guild with their Life Achievement Award. She very much deserves to be so recognized for this award."Actor-writer Carl Reiner, who created the Van Dyke series (which was inspired by Reiner's own life) and who was a semiregular on the show as egomaniacal TV star Alan Brady, shares observations about Moore landing her role: " 'I don't know what I'm looking for,' I told [producer] Sheldon Leonard after reading 25 different girls for the part of Laura for 'The Dick Van Dyke Show.' Sheldon said, 'You'll know when you see her.' And then I saw herMary Tyler Mooreand I knew I had my Laura."In a 2006 Back Stage interview, we asked Moore if there are any missed career opportunities or lost roles along the way that she regrets. She replied that she couldn't think of any. Then she added, "After all, in 'Change of Habit,' I got to be Elvis Presley's last leading lady." Indeed. Colleagues Salute Screen Actors Guild Honoree Mary Tyler Moore By Les Spindle January 12, 2012 PHOTO CREDIT SAG When Mary Tyler Moore turned the world on with her incandescent smile and flawless comedic timing as the co-star of CBS's "The Dick Van Dyke Show" (196166), a relative newcomer to showbiz quickly achieved widespread popularity. She sparkled in the role of Laura, the perky but occasionally weepy wife of TV comedy writer Rob Petrie (Dick Van Dyke). Moore subsequently made a quantum career leap when she starred in the trailblazing sitcom "The Mary Tyler Moore Show" (197077), the funny yet incisive portrait of a fiercely independent single career woman making her way through the urban jungle. Winning 29 Emmy Awards, the ensemble series set new standards for sophisticated television comedy. As Moore's versatility grew in a career spanning six decades, she blossomed into a highly respected and beloved performer. To honor her luminous career, the Screen Actors Guild will present Moore with its annual Life Achievement Award at the union's Jan. 29 SAG Awards ceremony in Los Angeles, airing live on TNT and TBS.'Ordinary' Becomes Extraordinary Among Moore's milestone performances are her mesmerizing Oscar-nominated turn as a desperately unhappy suburban matriarch in director Robert Redford's heart-wrenching drama "Ordinary People" (1980); her Tony-winning Broadway portrayal of a character originally played by a man in Brian Clark's "Whose Life Is It Anyway?" (1980); and her work in the raucously satirical film "Flirting With Disaster" (1996), in which Moore hilariously played against type as the abrasive and bawdy adoptive mother of a prodigal son (Ben Stiller).Many acclaimed TV films grace Moore's rsum, such as "First You Cry," "Stolen Babies," "The Gin Game," and especially the bloodcurdling "Like Mother Like Son: The Strange Story of Sante and Kenny Kines," featuring Moore as a sociopathic murderer, with Jean Stapleton as a helpless victim. Moore has also scored strongly when revisiting the skills honed during her early training in dancing and singing, as in the 1967 film musical "Thoroughly Modern Millie" and on many television variety shows and specials. Besides her achievements as a performer, the multifaceted Moore is a devoted philanthropist (for animal rights and as chairman of the Juvenile Diabetes Research Foundation) and has been a television producer (for MTM Enterprises, which she founded with her then-husband, producer Grant Tinker).Memories From the Yellow Brick Road In his 2011 memoir, "My Lucky Life In and Out of Show Business," Van Dyke explains how Moore very quickly won him over after she was cast opposite him on "The Dick Van Dyke Show." "I was concerned that Mary wasn't much of a comedienne," he wrote. "But as rehearsals progressed, her timing became perfect. The first time I stood across from her in rehearsal and heard her say, 'Oh, Rob!,' I thought, That's it, we're home." The book also includes Van Dyke's confession of his "crush" on Moore. He asks, "Who wouldn't adore Mary?"Van Dyke's sentiments are shared by many. Moore's peers and associates consider her a beacon of professionalism, talent, warmth, and class. Several of her most distinguished collaborators graciously agreed to provide Back Stage with their recollections of working with her.Ed Asner (the crusty but lovable Lou Grant on "The Mary Tyler Moore Show") says, "I spent seven long years in the trenches with Mary Tyler Moore, and I cannot think of a finer trenchmate. She's a consummate artist, the most generous, giving star of a show I have been around. She allowed us to screw up or sparkle, left it to others to either lift us up or take us down. And all that time, she was doing her part to make the scene work, to make the moment work. Nothing was ever too hard for her to attempt. Granted, of course, we worshipped her on bended knee and cuddled her terribly. She was our star. She truly was, and in the finest sense of the word. She never made things difficult; in fact, she always made things easier. She always filled in her slot to the fullest and never stole from you. She never directed you, never put you down. She respected the talent around her. I describe the seven years of 'The Mary Tyler Moore Show' as seven years on the Yellow Brick Road."Carol Channing (wacky millionaire Muzzy Van Hossmere in "Thoroughly Modern Millie") remarks, "What a joy it was to work with Bea [Lillie], Julie [Andrews], and Mary on 'Thoroughly Modern Millie.' Bea was a mentor, while Julie was the rock from whom both Mary and I eagerly took our cues. Mary was a good student. She was very professional and prepared. She possessed a desire and dedication to reach beyond the expectations of others and give the director, the cast, and the audience even more than they had hoped for. I still love that tap-dancing scene in the elevator."Valerie Harper (witty and sharp-tongued Rhoda Morgenstern on "The Mary Tyler Moore Show") speaks about Moore's supportive friendship: "When it was decided that 'Rhoda' would spin off from 'The Mary Tyler Moore Show,' I expressed my trepidation to Mary. I was afraid to leave the rapturously happy, loving environment of her show for the scary unknown. Shegenerous, supportive darling that she issaid, 'C'mon, Val, do it. You don't want to be my sidekick all your life, do you?' 'Yes!' I declared. 'Yes, I do!' And so do millions of others the world over. Lucky, lucky me!"Gavin MacLeod (kind but slyly sardonic Murray Slaughter on "The Mary Tyler Moore Show") offers the following: "In my 60 years of working in show business, Mary Tyler Moore is, without question, the most talented and beautiful boss I have ever had."Rose Marie (drolly funny Sally Rogers on "The Dick Van Dyke Show") shares this: "I was very proud to have the chance to work with Mary and to have her become a part of my life. I know how hard she worked to get into the position she is in today in our business and to be honored by the Screen Actors Guild with their Life Achievement Award. She very much deserves to be so recognized for this award."Actor-writer Carl Reiner, who created the Van Dyke series (which was inspired by Reiner's own life) and who was a semiregular on the show as egomaniacal TV star Alan Brady, shares observations about Moore landing her role: " 'I don't know what I'm looking for,' I told [producer] Sheldon Leonard after reading 25 different girls for the part of Laura for 'The Dick Van Dyke Show.' Sheldon said, 'You'll know when you see her.' And then I saw herMary Tyler Mooreand I knew I had my Laura."In a 2006 Back Stage interview, we asked Moore if there are any missed career opportunities or lost roles along the way that she regrets. She replied that she couldn't think of any. Then she added, "After all, in 'Change of Habit,' I got to be Elvis Presley's last leading lady." Indeed.

Fox at TCA: House's Future, the Glee Spin-Off and Scoop on Americanidol

Fox logo design design Will Fox close the entrance doors on House's Princeton-Plainsboro? Is Glee still arranging a spin-off following a McKinley High seniors graduate? And seriously, Ryan Seacrest isn't departing Americanidol, right? Convey more scoop inside your favorite shows inside our Winter TV preview Get all the latest Fox news during the cold months TV previews below: Kiefer Sutherland returns to TV in touch: Bid farewell to Jack Bauer Alcatraz's J.J. Abrams: New Fox drama is by using a tropical, but it's not Lost Fox at TCA: What's happening with House, Fringe, Terra Nova as well as the Glee spin-off? Americanidol jams its music show competition, unveils new performance challenges 8 things we learned from Fox's comedy panel: Zooey Deschanel, Megan Mullally and Raising Hope

'Horrible Bosses' Sequel Planned

It's a wonder that anyone doubted the success of a buddy comedy starring three lovable dudes (Jason Bateman, Charlie Day Jason Sudeikis) who hatch an anti-authority kill fest of their bosses -- chief among them Jennifer Aniston playing a sexually deranged dentist. But upon its July release, 'Horrible Bosses' proved any skeptics wrong, raking in a cool $209 million worldwide. Now it looks like Warner Bros. executives are hoping for that second lightning strike. Screenwriters John Francis Daley and Jonathan Goldstein have agreed to pen a sequel to the macabre comedy. Word is that Jason Bateman, Charlie Day and Jason Sudeikis would return to star as well. The studio is also in talks with director Seth Gordon to return. Will 'Horrible Bosses 2' fall victim to a 'The Hangover II'-like disappointment or, once again, exceed expectations? Check back in 2013 or 2014, when this thing will likely hit theaters. [via THR] [Photo: WB] Follow Moviefone on Twitter Like Moviefone on Facebook